- Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Jean Sanders, Jane Connell, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Bob Shaver, Scott Merrill, William Malten, Studio Orchestra, Burgess Meredith, Hiram Sherman, Lotte Lenya, Evelyn Lear
- Erich Ponto, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Studio Chorus, Arthur Schroeder, Lotte Lenya, Marek Weber, Theo Mackeben, Gerda Madsen, Studio Pianist, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Studio Orchestra, Willy Trenk-Trebitsch, Carola Neher, Bertolt Brecht
- Martin Hoeppner, Berlin Sender Freies Orchestra, Wolfgang Grunert, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Wolfgang Neuss, Gunther Arndt Orchestra, Kurt Hellwig
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
