- Wolfgang Grunert, Sender Freies Berlin Orchestra, Inge Wolffberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Trude Hesterberg
- Jane Connell, Scott Merrill, Lotte Lenya, Evelyn Lear, Hiram Sherman, Bob Shaver, Studio Chorus, Thomas Stewart, Jean Sanders, Studio Orchestra, Burgess Meredith, Samuel Matlowsky, William Malten
- Willy Trenk-Trebitsch, Studio Orchestra, Erich Ponto, Arthur Schroeder, Florelle, Erika Helmke, Marek Weber Orchester, Lotte Lenya, Marek Weber, Gerda Madsen, Lewis Ruth Band, Carola Neher, Bertolt Brecht, Studio Chorus, Theo Mackeben, Kurt Gerron, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Studio Pianist
- Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Paul Otto Kuster, Josef Hausmann, Wolfgang Grunert, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Trude Hesterberg, Berlin Sender Freies Chorus, Martin Hoeppner, Kurt Hellwig, Willy Trenk-Trebitsch, Gunther Arndt Orchestra
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
