- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert
- Scott Merrill, Hiram Sherman, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Jean Sanders, Burgess Meredith, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Jane Connell
- Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Gerda Madsen, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Carola Neher, Studio Chorus, Lewis Ruth Band
- Martin Hoeppner, Trude Hesterberg, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Wolfgang Neuss, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Berlin Sender Freies Orchestra
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
