- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- Studio Orchestra, Jane Connell, Studio Chorus, Bob Shaver, Samuel Matlowsky, Thomas Stewart, Lotte Lenya, Evelyn Lear, William Malten, Scott Merrill, Hiram Sherman, Jean Sanders, Burgess Meredith
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Gerda Madsen, Erika Helmke, Florelle, Arthur Schroeder, Studio Chorus, Willy Trenk-Trebitsch, Bertolt Brecht, Theo Mackeben, Erich Ponto
- Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Martin Hoeppner, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Kurt Hellwig, Inge Wolffberg, Wolfgang Neuss
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
