- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Wolfgang Neuss, Willy Trenk-Trebitsch
- William Malten, Samuel Matlowsky, Jane Connell, Burgess Meredith, Studio Chorus, Thomas Stewart, Hiram Sherman, Studio Orchestra, Scott Merrill, Lotte Lenya, Evelyn Lear, Jean Sanders, Bob Shaver
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Gerda Madsen, Arthur Schroeder, Theo Mackeben, Studio Chorus, Lewis Ruth Band, Bertolt Brecht, Carola Neher, Studio Pianist, Studio Orchestra, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Kurt Gerron, Marek Weber Orchester, Erich Ponto
- Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Trude Hesterberg, Kurt Hellwig, Wolfgang Grunert
- Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
