- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Wolfgang Grunert
- William Malten, Jean Sanders, Studio Chorus, Thomas Stewart, Scott Merrill, Burgess Meredith, Samuel Matlowsky, Studio Orchestra, Bob Shaver, Jane Connell, Hiram Sherman, Lotte Lenya, Evelyn Lear
- Theo Mackeben, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Erich Ponto, Kurt Gerron, Studio Chorus, Gerda Madsen, Studio Orchestra, Carola Neher, Arthur Schroeder, Studio Pianist, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Bertolt Brecht, Marek Weber Orchester
- Berlin Sender Freies Chorus, Trude Hesterberg, Gunther Arndt Orchestra, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Martin Hoeppner, Kurt Hellwig, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Wolfgang Neuss
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
