- Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Grunert, Willy Trenk-Trebitsch
- Samuel Matlowsky, Scott Merrill, Bob Shaver, William Malten, Jean Sanders, Jane Connell, Studio Orchestra, Burgess Meredith, Lotte Lenya, Evelyn Lear, Thomas Stewart, Hiram Sherman, Studio Chorus
- Arthur Schroeder, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Bertolt Brecht, Studio Pianist, Studio Orchestra, Lewis Ruth Band, Carola Neher, Studio Chorus, Erika Helmke, Florelle, Willy Trenk-Trebitsch
- Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Wolfgang Neuss, Trude Hesterberg, Martin Hoeppner, Inge Wolffberg, Berlin Sender Freies Orchestra
- Erich Ponto, Erika Helmke, Lotte Lenya, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
