- Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Bob Shaver, William Malten, Jane Connell, Scott Merrill, Studio Orchestra, Hiram Sherman, Burgess Meredith, Studio Chorus, Thomas Stewart, Jean Sanders, Lotte Lenya, Evelyn Lear, Samuel Matlowsky
- Arthur Schroeder, Carola Neher, Erich Ponto, Studio Chorus, Bertolt Brecht, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Theo Mackeben, Lewis Ruth Band, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen
- Kurt Hellwig, Wolfgang Neuss, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster
- Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
