- Erika Schmidt-Valentin, Wolfgang Schöne, Adalbert Kraus, Bach Ensemble, The, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Stuttgart Figuralchor der Gedachtniskirche, Helmuth Rilling, Philippe Huttenlocher, Bach-Collegium Stuttgart, Helen Watts, Indiana University Chamber Singers, Uta Spreckelsen, Kathrin Graf, Gächinger Kantorei Stuttgart, Arleen Auger, Aldo Baldin, Júlia Hamari
- Bavarian Radio Chorus, Cologne Radio Symphony Orchestra, Günter Wand, Margaret Marshall, Adolf Dallapozza, Karl Ridderbusch, Júlia Hamari, Cornelia Wulkopf, Koln Radio Choir, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Wolfram Gehring, Kunizaku Ohashi, Werner Krenn
- John Newton, Oliviero de Fabritiis, Leontyne Price, Giorgio Tozzi, Hartje Mueller, Carlo Bergonzi, RCA Italiana Opera Chorus, Arturo Basile, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Orchestra of the Rome Opera House, Ezio Flagello, Shirley Verrett, Robert Merrill, Erich Leinsdorf, Daniel Guss, Mario Sereni, Reri Grist, Laura Londi, Corinne Vozza, RCA Italiana Opera Orchestra, Júlia Hamari
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
