- Bach-Collegium Stuttgart, Bach Ensemble, The, Helmuth Rilling, Wolfgang Schöne, Philippe Huttenlocher, Uta Spreckelsen, Kathrin Graf, Aldo Baldin, Júlia Hamari, Stuttgart Figuralchor der Gedachtniskirche, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Gächinger Kantorei Stuttgart, Arleen Auger, Erika Schmidt-Valentin, Indiana University Chamber Singers, Adalbert Kraus, Helen Watts
- Karl Ridderbusch, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Júlia Hamari, Adolf Dallapozza, Kunizaku Ohashi, Werner Krenn, Cologne Radio Symphony Orchestra, Margaret Marshall, Wolfram Gehring, Günter Wand, Bavarian Radio Chorus, Cornelia Wulkopf, Koln Radio Choir
- Shirley Verrett, Robert Merrill, Erich Leinsdorf, Giorgio Tozzi, Oliviero de Fabritiis, Leontyne Price, Daniel Guss, Mario Sereni, Arturo Basile, RCA Italiana Opera Chorus, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Ezio Flagello, Hartje Mueller, Carlo Bergonzi, Orchestra of the Rome Opera House, Júlia Hamari, Laura Londi, Corinne Vozza, Reri Grist, John Newton, RCA Italiana Opera Orchestra
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
