- Helmuth Rilling, Kathrin Graf, Aldo Baldin, Uta Spreckelsen, Indiana University Chamber Singers, Philippe Huttenlocher, Adalbert Kraus, Bach-Collegium Stuttgart, Arleen Auger, Wolfgang Schöne, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Stuttgart Figuralchor der Gedachtniskirche, Bach Ensemble, The, Júlia Hamari, Erika Schmidt-Valentin, Gächinger Kantorei Stuttgart, Helen Watts
- Karl Ridderbusch, Cornelia Wulkopf, Koln Radio Choir, Cologne Radio Symphony Orchestra, Margaret Marshall, Kunizaku Ohashi, Werner Krenn, Günter Wand, Adolf Dallapozza, Wolfram Gehring, Bavarian Radio Chorus, Júlia Hamari, Brigitte Durrler, Bavarian Radio Symphony Orchestra
- John Newton, Ezio Flagello, Hartje Mueller, Carlo Bergonzi, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Chorus, RCA Italiana Opera Orchestra, Reri Grist, Oliviero de Fabritiis, Leontyne Price, Júlia Hamari, Laura Londi, Corinne Vozza, Giorgio Tozzi, Daniel Guss, Mario Sereni, Arturo Basile, Orchestra of the Rome Opera House
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
