- Bruce Ford, London Philharmonic Orchestra, Mark Wilde, Jennifer Larmore, Laura Claycomb, David Parry, Dean Robinson
- Paul Austin Kelly, Mark Stone, Bruce Ford, Sine Bundgaard, Elizabeth Vidal, Roland Wood, David Harper, Barry Banks, Majella Cullagh, Diana Montague
- Sir Roger Norrington, MDR Rundfunkchor, Ekkehard Wagner, Bruce Ford, Johannes Chum, Ralf Lukas, Ekkehard Vogler, Christopher Maltman, SWR Symphonieorchester, Monica Groop, Reinhard Mayr, Laura Claycomb, Matthias Hoffmann, Franz Hawlata
- Diana Montague, Paul Austin Kelly, Mark Stone, Bruce Ford, Sine Bundgaard, David Harper, Majella Cullagh, Barry Banks, Elizabeth Vidal, Roland Wood
- London Philharmonic Orchestra, Maria Costanza Nocentini, Bruce Ford, Nelly Miricioiu, David Parry, Roberto Servile
Bruce Ford
Biography
Bruce Ford is known as one of the finest bel canto tenors of his generation and is a luminary in the Rossini and Donizetti revival of the '90s onward, as well as in Mozart. He first studied voice at West State University in Canyon, TX, and later at Texas Tech University. He was admitted to the Houston Opera Studio (the training company of the Houston Grand Opera), where he studied under Elena Nikolaidi and John Gillas. He made his stage debut at the HGO as the abbot in Cilea's Adriana Lecouvreur (a comprimario role), as well as singing in the American premiere of Philip Glass' The Madrigal Opera in 1981 and the world premiere of Carlisle Floyd's Willie Stark. He appeared in various small and medium-sized theaters in Europe and the United States during the early '80s, including the Minnesota Opera where he sang Peccadillo in the world premiere of P.D.Q. Bach's (Peter Schickele) The Abduction of Figaro. He made his Wexford debut in 1986 as Argirio in Rossini's Tancredi, which brought him to wider attention in the bel canto field. He began his long association with the Pesaro Festival in 1990 and in 1991, he made his Covent Garden debut as Count Almaviva in Rossini's The Barber of Seville. He sang Ernesto for his Chicago Lyric Opera debut in 1995. His Metropolitan Opera debut came in 1997 as Almaviva. He has recorded widely, often in world-premiere recordings of forgotten bel canto operas.