- Gianandrea Gavazzeni, Sesto Bruscantini, Cesare Valletti, Bruna Rizzoli, Coro de Milano della RAI, Alda Noni, Afro Poli, Orchestra Sinfonica Nazionale della RAI di Milano
- Richard Decker, Marchigiana Philharmonic Orchestra, Gustav Kuhn, Anna Caterina Antonacci, Monica Bacelli, Albert Dohmen
- Sesto Bruscantini, Massimiliano Malaspina, Carlo Franci, Coro di Milan della RAI, Elena Zilio, Orchestra sinfonica di Milan della RAI, Emilia Ravaglia, Coro di Roma della RAI, Orchestra Sinfonica Di Roma Della RAI, Aldo Bottion, Adriana Guerrini, Ralph Lambert, Alfredo Simonetto
- Vittorio Gui, Alda Noni, Marina De Gabarain, Glyndebourne Festival Orchestra, Sesto Bruscantini, Juan Oncina
- Sesto Bruscantini, The Glyndebourne Chorus, Geraint Evans, Ilva Ligabue, Hugues Cuénod, Vittorio Gui, Royal Philharmonic Orchestra
- Mirella Freni, Enzo Sordello, Luigi Alva, Sesto Bruscantini, The Glyndebourne Chorus, Royal Philharmonic Orchestra, Emily Maire, Carlo Felice Cillario
Sesto Bruscantini
Biography
Not many historical details are known about this Italian bass baritone who is mainly famous for his comic opera roles. At some point after earning a law degree, Bruscantini studied voice with Luigi Ricci, who was the noted author of Cadenzas, a well-known text on the art of bel canto singing. Bruscantini made his debut in 1946 at Porto Civitanova in Puccini's La bohème and went on to create 130 parts in 108 operas. He was best known for his role in Rossini's Il barbière di Siviglia (The Barber of Seville), but he also sang in operas that were seldom produced, such as Piccinni's La Buona Figliuola and Boccherini's La Clementina. Bruscantini was often heard in the 1950s at famous houses like La Scala, Glyndebourne, and so on, and he sang on-stage well into in the 1990s.