- Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Grunert, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Samuel Matlowsky, Scott Merrill, Bob Shaver, Jean Sanders, William Malten, Studio Chorus, Thomas Stewart, Jane Connell, Lotte Lenya, Evelyn Lear, Hiram Sherman, Burgess Meredith, Studio Orchestra
- Kurt Gerron, Studio Chorus, Marek Weber Orchester, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Arthur Schroeder, Studio Pianist, Carola Neher, Studio Orchestra, Gerda Madsen, Erich Ponto, Lotte Lenya, Marek Weber, Bertolt Brecht, Theo Mackeben
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Trude Hesterberg, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Martin Hoeppner, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Wolfgang Grunert, Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Wolfgang Neuss
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
