- Minna Nyhus, Lisbeth Balslev, Francesco Cristofoli, Aarhus Symphony Orchestra, Aage Haugland, Sven Olof Eliasson, Leif Roar
- Francesco Cristofoli, Den Jyske Operas Kor, Den Jyske Opera Aarhus, Laila Andersson
- Gurli Plesner, Ib Hansen, Aage Haugland, Tove Hyldgaard, Danish National Radio Choir, Jorgen Klint, Tonny Landy, John Frandsen, Ove Verner Hansen, Mogens Schmidt-Johansen, Danish National Symphony Orchestra, Edith Brodersen, Gert Bastian, Christian Sorensen
- John Laursen, Royal Danish Opera Chorus, Uffe Henriksen, Pia Hansen, Lise-Lotte Nielsen, Kari Hamnoy, Aage Haugland, The Royal Danish Orchestra, Poul Elming, Anne Margrethe Dahl, Morten Kramp, Annita Wadsholt, Elisabeth Halling, Susanne Resmark, Ulla Kudsk Jensen, Djina Mai-Mai, Gert Henning-Jensen, Hanne Fischer, Elsebeth Lund, Michael Schønwandt, Bengt-Ola Morgny
- Danish National Symphony Orchestra, Gert Mortensen, Danish National Radio Choir, Edith Guillaume, Minna Nyhus, Jan Latham-Koenig, Anne Frellesvig, Stig Fogh Andersen, Poul Elming, Kim Janken, Aage Haugland, Birgitte Frieboe, Tina Kiberg, Christian Christiansen, Erik Harbo
Aage Haugland
Biography
Haugland was among his generation's most-noted bassos, with a voice somewhere between basso cantante and basso profondo and the power and stamina for even the most demanding Wagnerian roles. Though he specialized in Wagner, he enjoyed great success in Russian roles as well and has occasionally appeared in other German operas (most notably as Baron Ochs in Der Rosenkavalier) and Italian operas, as well as creating the role of the Commander in Ruder's The Handmaid's Tale. He began singing early with the Copenhagen Boys' Choir, though when he entered Copenhagen University, he studied medicine as well as singing. He made his opera debut at the Den Norske Opera in 1968 as Brewer in Martinu's The Comedy on the Bridge and in 1973, he first appeared at the Royal Danish Opera, beginning a long-term association with that house. In 1975, he made his debut in England at Covent Garden as Hunding in Wagner's Die Walküre. His United States debut was at the St. Louis Opera Theater as Boris Godunov in 1979. Two years later, he made his debut at La Scala as King Mark in Wagner's Tristan und Isolde and his 1983 Bayreuth Festival debut as Hagen in Die Götterdämmerung. His premature death interrupted an ever-expanding repertoire, as he continued to add roles ranging from Gianni Schicchi to King Saul in Nielsen's Saul and David to Wozzeck, as well as creating new roles such as the Commander (2000) and Jason in Liebermann's The Acquittal of Medea (1995).
Other Artists
Cyril Dulguerov
Bass