- Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Neuss, Chor des Sender Freies Berlin, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra
- Bob Shaver, Jane Connell, Scott Merrill, Hiram Sherman, Samuel Matlowsky, William Malten, Studio Orchestra, Studio Chorus, Thomas Stewart, Burgess Meredith, Lotte Lenya, Evelyn Lear, Jean Sanders
- Gerda Madsen, Lewis Ruth Band, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Florelle, Arthur Schroeder, Studio Orchestra, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Lotte Lenya, Marek Weber, Carola Neher
- Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Wolfgang Grunert, Inge Wolffberg, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Gunther Arndt Orchestra, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch
- Erich Ponto, Erika Helmke, Lotte Lenya, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
