- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch
- William Malten, Scott Merrill, Lotte Lenya, Evelyn Lear, Jean Sanders, Burgess Meredith, Studio Orchestra, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Bob Shaver, Hiram Sherman, Jane Connell
- Gerda Madsen, Erich Ponto, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Studio Orchestra, Lewis Ruth Band, Studio Pianist, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Willy Trenk-Trebitsch, Theo Mackeben, Erika Helmke, Florelle, Arthur Schroeder, Bertolt Brecht
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Martin Hoeppner, Berlin Sender Freies Orchestra, Kurt Hellwig, Inge Wolffberg, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Trude Hesterberg, Wolfgang Grunert, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster
- Lotte Lenya, Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
