Erasmus - Praise of Folly (English Version)

Folias (Imperfectas) [Harp]

"By Her Mere Presence, Folly Dissipates the Cares of Her Audience"

"Yo Soy La Locura"

"On How Folly Is Prompted to Sing Her Own Praises" / Music: Passamezzo Antico

Folly’s Origins

Recercada quarta sobre la Folia

"Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)

"Her Followers" / Music: Folias de la costa (Cont.)

La gamba in basso, e soprano (1564)

"Folly’s Claims to Be Admitted to the Council of the Goddesses / Music: Romanesca

"Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

"On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

"On How She Is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)

Si Habrá en Este Baldrés (C. M. Palacio No. 179)

"Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)

Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]

"On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)

"Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)

Browning my Dear

"Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)

"There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)

Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)

"Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)

Todos los buenos soldados (La Guerra)

"She Inspires Warfare" / Music: Pavana La Battaglia

"Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)

"She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)

Saltarello (Mss. Venezia)

"She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)

"On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa

"Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)

La Spagna (XVth Century)

"Folly of Kings" / Music: Las Vacas (Romanesca)

"Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)

"Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)

"Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)

Diferencias Sobre ‘Las Vacas’ (Harp)

"Farewell to the Reader" / Music: Folias Portuguesas (Harp)

Hoy comamos y bevamos (C. M. Palacio No. 174)

Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]

"Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)

Une musque de Buscaye (Instrumental)

A Florence la joyose cité (C. M. Montecassino No. 6)

"Fortune Smiles on the Bold" / Music: Fortuna desperata

Audi, benigne Conditor (C. M. Montecassino No. 40)

Taskim & Dance (Ottoman)

"Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)

Lavava y suspirava (Anonymous Sephardic)

Malor me bat (Odhecaton, No. 63)

Benedic anima mea (Ps. 103, 1-3)

"Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté

La déploration sur la mort de Johannes Ockeghem

“Latura tu” (Instrumental) [Odhecaton No. 94]

"Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp)

Hélas madame, passamezzo (Henry VIII mss.10)

"Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85)

In te Domine speravi (C. M. Palacio No. 84)

"Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp]

Puzzle-Canon II (Henry VIII mss.)

Scaramella va alla guerra

"War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106)

Danza Alta (Instrumental) [C. M. Palacio No. 321]

"Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly"

Home Again, Market Is Done (Margaret Board Lute Book)

"Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp)

La Spagna, à 5

"Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental)

Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)

"Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I

Adoramus te Domine (Montecassino mss. No. 4)

"Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols)

Ya es Tiempo de Recoger

"Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ)

Benedictus a 3

"Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5

Vingtcinquiesme Fantasie. A Quatre

"Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ)

"Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All

Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)

"Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)

Gazel (Ottoman Song)

Tu pauperum refugium

"Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533)

Christ ist Erstanden à 6

"Words Are the Physicians of Ailing Souls" / Music: Now o Now

In Nomine a 5 My Death

Pie Jesu (Requiem)

"Erasmus Dies at Basel" (Stefan Zweig, 1934)

Plangite Pierides (Lament on the Death of Erasmus)

"Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental)