- Anne Howells, Dennis Wicks, Maureen Keetch, Orchestra of the Royal Opera House, Marjorie Biggar, Edgar Evans, David Lennox, Royal Opera Chorus, John Dobson, Anne Pashley, Jon Vickers, Nan Christie, Michael Langdon, Amy Shuard, Delia Wallis, Reginald Goodall, Dame Kiri Te Kanawa, Norman Bailey, Louis Hendrikx, Donald McIntyre, Alison Hargan, Royal School of Church Music Choir
- Sir Edward Downes, Amy Shuard, Ettore Bastianini, John Kollmann, David Kelly, George Barker, Orchestra of the Royal Opera House, Regina Resnik, Victor Godfrey, Jon Vickers, Joan Carlyle, Michael Langdon
- Leonie Rysanek, Grace Hoffman, Hans Knappertsbusch, Ursula Boese, Hans Hotter, Hilde Scheppan, Elisabeth Schärtel, Bayreuth Festival Orchestra, Astrid Varnay, Lotte Rysanek, Josef Greindl, Jon Vickers, Marlies Siemeling, Maria von Ilosvay, Rita Gorr
Jon Vickers
Biography
While Jon Vickers was best known as a Wagnerian heldentenor, he was also capable of singing lieder, Baroque opera, spinto Italian roles, and even comic roles. His voice and physique both radiated power. He was a man of equally powerful convictions, refusing to sing roles which he considered to be lacking in morality. He made his operatic debut as the Duke in Rigoletto at the Toronto Opera in 1954, and his 1957 Covent Garden debut was in Un ballo in maschera. His first Peter Grimes -- one of the most memorable interpretations -- was at the Met in 1967. In 1969 he was made a Companion of the Order of Canada. He retired in 1988. Vickers was known for having a prickly temperament, but in other ways, he was deeply modest. He insisted that he was merely the interpreter of the real artists: the composers. ~ Anne Feeney