Track
Time
Ouvertüre
Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne
Dialog "Jaquino, Jaquino!"
Mark Elder, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Lisa Milne
Arie "O wär' ich schon mit dir vereint"
Peter Coleman-Wright, Anja Kampe, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Quartett "Mir ist so wunderbar"
Anja Kampe, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Lisa Milne
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Mark Elder, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
Torsten Kerl, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Lisa Milne
Marsch
Nathan Vale, Mark Elder, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Lisa Milne
Dialog "Die Depeschen"
Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Mark Elder, Lisa Milne
Arie mit Chor "Ha! Welch ein Augenblick!"
Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Mark Elder, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Lisa Milne
Duett "Jetzt, Alter, jetzt hat es Eile!"
Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Aber Marzelline"
Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Finale "O welche Lust!"
London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne
Finale "Nun sprecht, wie ging's?"
Mark Elder, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Torsten Kerl
Finale "Ach! Vater, eilt!"
London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Thomas Blunt, Lisa Milne
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Lisa Milne
Finale "Leb' wohl, du warmes Sonnenlicht"
Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Lisa Milne
Introduction to Act 2
Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Lisa Milne
Arie "Gott! Welch' Dunkel hier!"
Nathan Vale, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne
Arie "In des Lebens Frühlingstagen"
Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Anja Kampe, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Lisa Milne
Duett "Nur hurtig fort, nur frisch gegraben"
Mark Elder, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne
Dialog "Er erwacht!"
Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne
Terzett "Euch werde Lohn in besser'n Welten"
Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Lisa Milne
Quartett "Er sterbe!"
Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Vater Rocco!"
Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Anja Kampe, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Es schlägt der Rache Stunde!"
Torsten Kerl, Anja Kampe, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Lisa Milne
Dialog "Meine Leonore, was hast du für mich erduldet!"
Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne
Duett "O namenlose Freude!"
Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Lisa Milne
Dialog "Gute Botschaft"
Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne
Finale "Heil sei dem Tag, Heil sei der Stunde"
Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne
Finale "Des besten königs Wink und Wille"
Lisa Milne, Nathan Vale, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Finale "Gott! Welch ein Augenblick!"
Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Lisa Milne
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Thomas Blunt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne