- Willy Trenk-Trebitsch, Wolfgang Grunert, Chor des Sender Freies Berlin, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- Samuel Matlowsky, Bob Shaver, Lotte Lenya, Evelyn Lear, Jane Connell, Studio Orchestra, Scott Merrill, Hiram Sherman, William Malten, Burgess Meredith, Jean Sanders, Studio Chorus, Thomas Stewart
- Erika Helmke, Florelle, Studio Pianist, Carola Neher, Studio Orchestra, Lotte Lenya, Marek Weber, Bertolt Brecht, Theo Mackeben, Marek Weber Orchester, Erich Ponto, Willy Trenk-Trebitsch, Arthur Schroeder, Lewis Ruth Band, Studio Chorus, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen, Kurt Gerron
- Berlin Sender Freies Orchestra, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Trude Hesterberg, Gunther Arndt Orchestra, Martin Hoeppner, Kurt Hellwig, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Willy Trenk-Trebitsch
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
