- Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Wolfgang Neuss, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra
- Burgess Meredith, Studio Orchestra, Thomas Stewart, Jean Sanders, Evelyn Lear, Bob Shaver, Scott Merrill, William Malten, Samuel Matlowsky, Hiram Sherman, Studio Chorus, Jane Connell, Lotte Lenya
- Erika Helmke, Florelle, Studio Orchestra, Lewis Ruth Band, Carola Neher, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Gerda Madsen, Studio Pianist, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Theo Mackeben, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht
- Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Willy Trenk-Trebitsch, Inge Wolffberg, Kurt Hellwig, Gunther Arndt Orchestra, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Trude Hesterberg, Berlin Sender Freies Orchestra
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
