- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Bob Shaver, William Malten, Studio Orchestra, Burgess Meredith, Scott Merrill, Hiram Sherman, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jean Sanders, Lotte Lenya, Evelyn Lear, Jane Connell
- Theo Mackeben, Studio Orchestra, Studio Chorus, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Erich Ponto, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Carola Neher, Bertolt Brecht, Lewis Ruth Band
- Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Wolfgang Grunert, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Martin Hoeppner, Wolfgang Neuss, Berlin Sender Freies Chorus
- Lotte Lenya, Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
