- Arleen Auger, Helmuth Rilling, Philippe Huttenlocher, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Erika Schmidt-Valentin, Stuttgart Figuralchor der Gedachtniskirche, Bach Ensemble, The, Wolfgang Schöne, Júlia Hamari, Uta Spreckelsen, Aldo Baldin, Indiana University Chamber Singers, Helen Watts, Kathrin Graf, Bach-Collegium Stuttgart, Adalbert Kraus, Gächinger Kantorei Stuttgart
- Cornelia Wulkopf, Koln Radio Choir, Günter Wand, Adolf Dallapozza, Kunizaku Ohashi, Werner Krenn, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Margaret Marshall, Wolfram Gehring, Bavarian Radio Chorus, Cologne Radio Symphony Orchestra, Júlia Hamari, Karl Ridderbusch
- Orchestra of the Rome Opera House, Daniel Guss, Mario Sereni, Hartje Mueller, Carlo Bergonzi, Giorgio Tozzi, Oliviero de Fabritiis, Leontyne Price, Shirley Verrett, Robert Merrill, Erich Leinsdorf, Thomas Schippers, Robert El Hage, John Newton, RCA Italiana Opera Orchestra, Laura Londi, Corinne Vozza, RCA Italiana Opera Chorus, Fernando Iacopucci, Francesco Molinari-Pradelli, Arturo Basile, Júlia Hamari, Reri Grist, Ezio Flagello
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
