- Wolfgang Schöne, Helmuth Rilling, Arleen Auger, Erika Schmidt-Valentin, Stuttgart Figuralchor der Gedachtniskirche, Philippe Huttenlocher, Walter Heldwein, Aldo Baldin, Adalbert Kraus, Indiana University Chamber Singers, Uta Spreckelsen, Helen Watts, Gächinger Kantorei Stuttgart, Júlia Hamari, Niklaus Tüller, Frankfurt Kantorei, Bach Ensemble, The, Bach-Collegium Stuttgart, Kathrin Graf
- Günter Wand, Kunizaku Ohashi, Werner Krenn, Margaret Marshall, Cornelia Wulkopf, Koln Radio Choir, Cologne Radio Symphony Orchestra, Wolfram Gehring, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Júlia Hamari, Karl Ridderbusch, Bavarian Radio Chorus, Adolf Dallapozza
- Reri Grist, Daniel Guss, Mario Sereni, Fernando Iacopucci, Francesco Molinari-Pradelli, Laura Londi, Corinne Vozza, Thomas Schippers, Robert El Hage, RCA Italiana Opera Orchestra, Shirley Verrett, Robert Merrill, Erich Leinsdorf, Júlia Hamari, Arturo Basile, John Newton, Ezio Flagello, Hartje Mueller, Carlo Bergonzi, Orchestra of the Rome Opera House, Oliviero de Fabritiis, Leontyne Price, RCA Italiana Opera Chorus, Giorgio Tozzi
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
