- Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg, Chor des Sender Freies Berlin, Wolfgang Neuss
- Studio Chorus, Thomas Stewart, Samuel Matlowsky, Scott Merrill, Lotte Lenya, Evelyn Lear, Hiram Sherman, Bob Shaver, Jane Connell, Jean Sanders, William Malten, Studio Orchestra, Burgess Meredith
- Carola Neher, Bertolt Brecht, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Lewis Ruth Band, Studio Orchestra, Willy Trenk-Trebitsch, Theo Mackeben, Gerda Madsen, Studio Chorus, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Kurt Hellwig, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Inge Wolffberg, Martin Hoeppner, Willy Trenk-Trebitsch, Wolfgang Neuss, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg
- Lotte Lenya, Berliner Staatsoper Orchester, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
