- Wolfgang Grunert, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Burgess Meredith, Jane Connell, Evelyn Lear, Studio Chorus, Samuel Matlowsky, Studio Orchestra, Bob Shaver, Jean Sanders, William Malten, Hiram Sherman, Thomas Stewart, Scott Merrill, Lotte Lenya
- Erika Helmke, Florelle, Willy Trenk-Trebitsch, Lewis Ruth Band, Carola Neher, Kurt Gerron, Marek Weber Orchester, Theo Mackeben, Gerda Madsen, Bertolt Brecht, Erich Ponto, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Arthur Schroeder, Lotte Lenya, Marek Weber, Studio Pianist
- Berlin Sender Freies Orchestra, Trude Hesterberg, Wolfgang Grunert, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Inge Wolffberg, Wolfgang Neuss, Kurt Hellwig
- Otto Klemperer, Berliner Staatsoper Orchester, Bertolt Brecht, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
