- Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Samuel Matlowsky, Bob Shaver, Jane Connell, Scott Merrill, Burgess Meredith, Studio Orchestra, Studio Chorus, Thomas Stewart, William Malten, Jean Sanders, Hiram Sherman, Lotte Lenya, Evelyn Lear
- Arthur Schroeder, Willy Trenk-Trebitsch, Erich Ponto, Theo Mackeben, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Studio Orchestra, Carola Neher, Lotte Lenya, Marek Weber, Bertolt Brecht, Lewis Ruth Band, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Gerda Madsen
- Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Berlin Sender Freies Orchestra, Kurt Hellwig, Wolfgang Grunert, Inge Wolffberg
- Berliner Staatsoper Orchester, Otto Klemperer, Bertolt Brecht, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
