- Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Chor des Sender Freies Berlin
- Studio Chorus, Jean Sanders, Jane Connell, William Malten, Studio Orchestra, Scott Merrill, Bob Shaver, Lotte Lenya, Evelyn Lear, Burgess Meredith, Hiram Sherman, Thomas Stewart, Samuel Matlowsky
- Erika Helmke, Florelle, Gerda Madsen, Erich Ponto, Lewis Ruth Band, Carola Neher, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Arthur Schroeder, Lotte Lenya, Marek Weber, Studio Chorus, Kurt Gerron, Marek Weber Orchester
- Martin Hoeppner, Kurt Hellwig, Wolfgang Neuss, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
