- Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Chor des Sender Freies Berlin, Wolfgang Neuss, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra
- Lotte Lenya, Evelyn Lear, Bob Shaver, Scott Merrill, Samuel Matlowsky, William Malten, Studio Orchestra, Studio Chorus, Thomas Stewart, Hiram Sherman, Jean Sanders, Jane Connell, Burgess Meredith
- Willy Trenk-Trebitsch, Theo Mackeben, Erika Helmke, Florelle, Arthur Schroeder, Carola Neher, Gerda Madsen, Studio Pianist, Studio Orchestra, Erich Ponto, Lotte Lenya, Marek Weber, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Studio Chorus
- Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Martin Hoeppner, Trude Hesterberg, Berlin Sender Freies Orchestra, Kurt Hellwig, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Gunther Arndt Orchestra, Wolfgang Grunert
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
