- Chor des Sender Freies Berlin, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Samuel Matlowsky, Burgess Meredith, Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Bob Shaver, William Malten, Jean Sanders, Studio Orchestra, Jane Connell, Hiram Sherman
- Gerda Madsen, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Carola Neher, Arthur Schroeder, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Lewis Ruth Band, Willy Trenk-Trebitsch, Bertolt Brecht
- Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Inge Wolffberg, Kurt Hellwig, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Willy Trenk-Trebitsch
- Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
