- Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Chor des Sender Freies Berlin, Trude Hesterberg
- Bob Shaver, William Malten, Hiram Sherman, Scott Merrill, Burgess Meredith, Jane Connell, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Jean Sanders, Studio Orchestra, Lotte Lenya, Evelyn Lear
- Lewis Ruth Band, Carola Neher, Gerda Madsen, Lotte Lenya, Marek Weber, Theo Mackeben, Arthur Schroeder, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Bertolt Brecht, Studio Chorus
- Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Trude Hesterberg, Wolfgang Grunert, Berlin Sender Freies Orchestra, Kurt Hellwig, Berlin Sender Freies Chorus, Inge Wolffberg, Willy Trenk-Trebitsch
- Erich Ponto, Lotte Lenya, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
