- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Neuss, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- Burgess Meredith, Studio Orchestra, Hiram Sherman, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Scott Merrill, Jane Connell, Lotte Lenya, Evelyn Lear, Jean Sanders, William Malten, Bob Shaver
- Carola Neher, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Lewis Ruth Band, Arthur Schroeder, Gerda Madsen, Bertolt Brecht, Studio Chorus, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto
- Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Kurt Hellwig, Inge Wolffberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
