- Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Trude Hesterberg, Willy Trenk-Trebitsch
- Jean Sanders, William Malten, Burgess Meredith, Hiram Sherman, Lotte Lenya, Evelyn Lear, Scott Merrill, Bob Shaver, Studio Orchestra, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jane Connell
- Gerda Madsen, Theo Mackeben, Erich Ponto, Kurt Gerron, Carola Neher, Willy Trenk-Trebitsch, Lewis Ruth Band, Studio Chorus, Marek Weber Orchester, Erika Helmke, Florelle, Studio Pianist, Arthur Schroeder, Bertolt Brecht, Studio Orchestra, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Inge Wolffberg, Trude Hesterberg, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Wolfgang Neuss, Wolfgang Grunert, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
