- Karl Engel, Edith Mathis, Dietrich Fischer-Dieskau, Alexander Young, Georg Donderer, RIAS Kammerchor, Andreas Röhn
- Helen Watts, Aldo Baldin, Arleen Auger, Helmuth Rilling, Kathrin Graf, Júlia Hamari, Niklaus Tüller, Frankfurt Kantorei, Uta Spreckelsen, Stuttgart Figuralchor der Gedachtniskirche, Bach Ensemble, The, Bach-Collegium Stuttgart, Wolfgang Schöne, Walter Heldwein, Philippe Huttenlocher, Erika Schmidt-Valentin, Gächinger Kantorei Stuttgart, Adalbert Kraus, Indiana University Chamber Singers
- Júlia Hamari, Krisztina Laki, Frieder Bernius, Richard Anlauf, Stuttgart Chamber Chorus, Württembergisches Kammerorchester Heilbronn
- Wolfram Gehring, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Kunizaku Ohashi, Margaret Marshall, Adolf Dallapozza, Werner Krenn, Cologne Radio Symphony Orchestra, Günter Wand, Júlia Hamari, Karl Ridderbusch, Koln Radio Choir, Cornelia Wulkopf
- RCA Italiana Opera Orchestra, Francesco Molinari-Pradelli, Fernando Iacopucci, Laura Londi, Corinne Vozza, Thomas Schippers, Robert El Hage, Mario Sereni, Daniel Guss, Oliviero de Fabritiis, Leontyne Price, Giorgio Tozzi, Erich Leinsdorf, Shirley Verrett, Robert Merrill, Arturo Basile, Júlia Hamari, John Newton, Reri Grist, Hartje Mueller, Carlo Bergonzi, Ezio Flagello, Orchestra of the Rome Opera House
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.