- Coro de Milano della RAI, Alda Noni, Gianandrea Gavazzeni, Afro Poli, Orchestra Sinfonica Nazionale della RAI di Milano, Bruna Rizzoli, Sesto Bruscantini, Cesare Valletti
- Anna Caterina Antonacci, Marchigiana Philharmonic Orchestra, Monica Bacelli, Gustav Kuhn, Richard Decker, Albert Dohmen
- Massimiliano Malaspina, Alfredo Simonetto, Emilia Ravaglia, Sesto Bruscantini, Orchestra Sinfonica Di Roma Della RAI, Coro di Roma della RAI, Ralph Lambert, Aldo Bottion, Carlo Franci, Coro di Milan della RAI, Adriana Guerrini, Elena Zilio, Orchestra sinfonica di Milan della RAI
- Marina De Gabarain, Alda Noni, Glyndebourne Festival Orchestra, Juan Oncina, Sesto Bruscantini, Vittorio Gui
- Sesto Bruscantini, Geraint Evans, Vittorio Gui, The Glyndebourne Chorus, Ilva Ligabue, Royal Philharmonic Orchestra, Hugues Cuénod
- Mirella Freni, Royal Philharmonic Orchestra, Luigi Alva, Emily Maire, The Glyndebourne Chorus, Enzo Sordello, Carlo Felice Cillario, Sesto Bruscantini
- Orchestra da Camera "Scarlatti" di Napoli della RAI, Franco Caracciolo
- Cesare Valletti, Marcello Cortis, Sesto Bruscantini, Roberto Benaglio, RAI Symphony Orchestra, Gabriela Carturan, Elena Rizzieri
Sesto Bruscantini
Biography
Not many historical details are known about this Italian bass baritone who is mainly famous for his comic opera roles. At some point after earning a law degree, Bruscantini studied voice with Luigi Ricci, who was the noted author of Cadenzas, a well-known text on the art of bel canto singing. Bruscantini made his debut in 1946 at Porto Civitanova in Puccini's La bohème and went on to create 130 parts in 108 operas. He was best known for his role in Rossini's Il barbière di Siviglia (The Barber of Seville), but he also sang in operas that were seldom produced, such as Piccinni's La Buona Figliuola and Boccherini's La Clementina. Bruscantini was often heard in the 1950s at famous houses like La Scala, Glyndebourne, and so on, and he sang on-stage well into in the 1990s.