- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss
- Jean Sanders, Scott Merrill, Samuel Matlowsky, Studio Orchestra, Studio Chorus, Thomas Stewart, William Malten, Lotte Lenya, Evelyn Lear, Hiram Sherman, Bob Shaver, Burgess Meredith, Jane Connell
- Arthur Schroeder, Willy Trenk-Trebitsch, Kurt Gerron, Marek Weber Orchester, Carola Neher, Studio Chorus, Gerda Madsen, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber, Theo Mackeben, Studio Pianist, Studio Orchestra, Erika Helmke, Florelle, Bertolt Brecht, Erich Ponto
- Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Trude Hesterberg, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Martin Hoeppner, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
