- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Willy Trenk-Trebitsch
- Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Orchestra, Bob Shaver, Burgess Meredith, Studio Chorus, Thomas Stewart, Samuel Matlowsky, William Malten, Jean Sanders, Hiram Sherman, Jane Connell
- Erich Ponto, Lewis Ruth Band, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Carola Neher, Bertolt Brecht, Studio Chorus, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Theo Mackeben, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Gunther Arndt Orchestra, Wolfgang Grunert, Kurt Hellwig, Willy Trenk-Trebitsch, Inge Wolffberg, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Wolfgang Neuss
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
