- Wolfgang Neuss, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Sender Freies Berlin Orchestra, Inge Wolffberg
- Burgess Meredith, Bob Shaver, Hiram Sherman, Studio Orchestra, Samuel Matlowsky, William Malten, Studio Chorus, Thomas Stewart, Jean Sanders, Lotte Lenya, Evelyn Lear, Scott Merrill, Jane Connell
- Carola Neher, Arthur Schroeder, Gerda Madsen, Willy Trenk-Trebitsch, Erich Ponto, Studio Pianist, Bertolt Brecht, Studio Orchestra, Theo Mackeben, Florelle, Erika Helmke, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Lotte Lenya, Marek Weber, Lewis Ruth Band, Studio Chorus, Marek Weber Orchester, Kurt Gerron
- Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch, Paul Otto Kuster, Josef Hausmann, Berlin Sender Freies Chorus, Wolfgang Grunert, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Inge Wolffberg, Trude Hesterberg
- Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
