- Chor des Sender Freies Berlin, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Grunert, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Jean Sanders, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Studio Orchestra, Bob Shaver, William Malten, Burgess Meredith, Jane Connell, Samuel Matlowsky, Scott Merrill, Hiram Sherman
- Erich Ponto, Arthur Schroeder, Carola Neher, Lotte Lenya, Marek Weber, Bertolt Brecht, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Willy Trenk-Trebitsch, Studio Chorus, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Studio Orchestra, Gerda Madsen
- Kurt Hellwig, Martin Hoeppner, Willy Trenk-Trebitsch, Wolfgang Grunert, Trude Hesterberg, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
