- Les Ambassadeurs ~ La Grande Écurie, Marine Lafdal-Franc, Virginie Thomas, David Witczak, Les Pages & les Chantres du Centre de musique baroque de Versailles, Éléonore Pancrazi, François-Olivier Jean, Alexis Kossenko, Mathias Vidal, Sandrine Piau, Véronique Gens, Antonin Rondepierre, Tassis Christoyannis, Hasnaa Bennani
- Chœur et Orchestre National des Pays de la Loire, Hervé Niquet, Véronique Gens
- Chœur de l'Opéra Royal, Léo Vermot-Desroches, Guilhem Worms, Véronique Gens, Nathan Berg, Claire Lefilliâtre, Cécile Achille, Juliette Mey, Camille Poul, Cyril Auvity, Geoffroy Buffière, Les Epopées, Stéphane Fuget
Véronique Gens
Playlists
Live Albums
Singles & EPs
Compilations
Biography
In the earlier part of her career, the French soprano Véronique Gens both benefited from and soon helped to spearhead the growing interest in the Baroque repertoire in her native country and elsewhere. She has since widened her repertoire to take in a variety of music, especially from the Classical and Romantic eras, developing a reputation both in the theatre and on disc as one of the great tragediennes of our time. Gens hails from Orléans, where she was born in 1966. She studied at the Paris Conservatoire, where she won first prize. Her advocacy of Baroque music started with her 1986 debut with William Christie and his ensemble Les Arts Florissants, soon followed by regular dates with such specialist conductors as Marc Minkowski, René Jacobs, Christophe Rousset and Jean-Claude Malgoire. Later, her specialisation widened into accounts of music by a greater range of figures: notably Mozart, but also Gluck, Tchaikovsky, Offenbach, Berlioz and even Verdi (Alice in Falstaff) and Wagner (Eva in Die Meistersinger von Nürnberg). In parallel, her career as a leading recitalist has shown her focusing on her native genre of the mélodie (French art song) while performing song from various traditions at the world’s leading concert halls. Her developing artistry has been amply displayed in her substantial discography, which covers many rarities on the Palazzetto Bru Zane label and a series of recordings exemplifying opera’s tragic heroines.
