- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg
- Jane Connell, William Malten, Jean Sanders, Burgess Meredith, Bob Shaver, Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Studio Orchestra, Hiram Sherman, Samuel Matlowsky
- Arthur Schroeder, Theo Mackeben, Carola Neher, Willy Trenk-Trebitsch, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Studio Orchestra, Lewis Ruth Band, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen, Erika Helmke, Florelle, Bertolt Brecht, Erich Ponto
- Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Willy Trenk-Trebitsch, Kurt Hellwig, Trude Hesterberg, Berlin Sender Freies Chorus, Inge Wolffberg, Berlin Sender Freies Orchestra
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
