IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
Sir Roger Norrington· Patrick Power· London Classical Players· Schütz Choir of London
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
Schütz Choir of London· Sir Roger Norrington· London Classical Players· The Schütz Consort· Coppola E Il Suo Sestetto
I. Introitus
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Nancy Argenta· John Mark Ainsley· Felicitas Mander· Catherine Robbin· Peter Thorley
II. Kyrie
London Classical Players· Schütz Choir of London· Sir Roger Norrington· John Mark Ainsley· Peter Thorley· Felicitas Mander· Nancy Argenta· Catherine Robbin
III. Dies irae
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Peter Thorley· Nancy Argenta· John Mark Ainsley· Catherine Robbin· Felicitas Mander
IV. Tuba mirum
London Classical Players· Catherine Robbin· Sir Roger Norrington· Alastair Miles· Nancy Argenta· John Mark Ainsley· Schütz Choir of London· Peter Thorley· Felicitas Mander
V. Rex tremendae
Sir Roger Norrington· Schütz Choir of London· London Classical Players· John Mark Ainsley· Felicitas Mander· Catherine Robbin· Peter Thorley· Nancy Argenta
VI. Recordare
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Felicitas Mander· Nancy Argenta· Catherine Robbin· John Mark Ainsley· Peter Thorley
VII. Confutatis
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Peter Thorley
VIII. Lacrimosa
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Nancy Argenta· Catherine Robbin· Peter Thorley· John Mark Ainsley· Felicitas Mander
IX. Amen
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· John Mark Ainsley· Peter Thorley· Catherine Robbin· Felicitas Mander
X. Domine Jesu Christe
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Alastair Miles· Felicitas Mander· Peter Thorley
XI. Hostias
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Peter Thorley· Catherine Robbin· Nancy Argenta· Felicitas Mander· John Mark Ainsley
XII. Sanctus
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· Peter Thorley· John Mark Ainsley· Felicitas Mander· Nancy Argenta
XIII. Benedictus
Sir Roger Norrington· London Classical Players· Nancy Argenta· John Mark Ainsley· Catherine Robbin· Schütz Choir of London· Alastair Miles· Peter Thorley· Felicitas Mander
XIV. Agnus Dei
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Peter Thorley· Nancy Argenta· Catherine Robbin· John Mark Ainsley· Felicitas Mander
XV. Communio
Nancy Argenta· Schütz Choir of London· Sir Roger Norrington· London Classical Players· John Mark Ainsley· Felicitas Mander· Peter Thorley· Catherine Robbin
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Concert Chorale of New York· Deborah Voigt· Sir Roger Norrington· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
