IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Patrick Power
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Coppola E Il Suo Sestetto· The Schütz Consort
I. Introitus
Sir Roger Norrington· London Classical Players· Nancy Argenta· Schütz Choir of London· Peter Thorley· John Mark Ainsley· Catherine Robbin· Felicitas Mander
II. Kyrie
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Felicitas Mander· Nancy Argenta· Catherine Robbin· Peter Thorley· John Mark Ainsley
III. Dies irae
London Classical Players· Sir Roger Norrington· Schütz Choir of London· John Mark Ainsley· Nancy Argenta· Catherine Robbin· Felicitas Mander· Peter Thorley
IV. Tuba mirum
Nancy Argenta· Sir Roger Norrington· John Mark Ainsley· London Classical Players· Catherine Robbin· Alastair Miles· Felicitas Mander· Peter Thorley· Schütz Choir of London
V. Rex tremendae
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Nancy Argenta· Peter Thorley· Catherine Robbin· John Mark Ainsley· Felicitas Mander
VI. Recordare
Sir Roger Norrington· Schütz Choir of London· London Classical Players· John Mark Ainsley· Peter Thorley· Felicitas Mander· Catherine Robbin· Nancy Argenta
VII. Confutatis
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· John Mark Ainsley· Peter Thorley· Felicitas Mander· Catherine Robbin
VIII. Lacrimosa
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Catherine Robbin· Peter Thorley· John Mark Ainsley· Nancy Argenta· Felicitas Mander
IX. Amen
London Classical Players· Sir Roger Norrington· John Mark Ainsley· Felicitas Mander· Peter Thorley· Schütz Choir of London· Catherine Robbin· Nancy Argenta
X. Domine Jesu Christe
Alastair Miles· John Mark Ainsley· Catherine Robbin· London Classical Players· Sir Roger Norrington· Schütz Choir of London· Nancy Argenta· Peter Thorley· Felicitas Mander
XI. Hostias
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Nancy Argenta· Catherine Robbin· John Mark Ainsley· Peter Thorley· Felicitas Mander
XII. Sanctus
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· Felicitas Mander· Peter Thorley· John Mark Ainsley· Nancy Argenta
XIII. Benedictus
Catherine Robbin· Schütz Choir of London· John Mark Ainsley· Alastair Miles· Sir Roger Norrington· Nancy Argenta· London Classical Players· Felicitas Mander· Peter Thorley
XIV. Agnus Dei
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Nancy Argenta· Felicitas Mander· Peter Thorley· Catherine Robbin· John Mark Ainsley
XV. Communio
Nancy Argenta· Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· John Mark Ainsley· Peter Thorley· Felicitas Mander
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Concert Chorale of New York· Sir Roger Norrington· Deborah Voigt· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
