IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Patrick Power
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Coppola E Il Suo Sestetto· The Schütz Consort
I. Introitus
London Classical Players· Schütz Choir of London· Nancy Argenta· Sir Roger Norrington· Felicitas Mander· John Mark Ainsley· Peter Thorley· Catherine Robbin
II. Kyrie
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Nancy Argenta· Peter Thorley· John Mark Ainsley· Catherine Robbin· Felicitas Mander
III. Dies irae
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· John Mark Ainsley· Nancy Argenta· Felicitas Mander· Peter Thorley
IV. Tuba mirum
Nancy Argenta· Sir Roger Norrington· Alastair Miles· John Mark Ainsley· Catherine Robbin· London Classical Players· Peter Thorley· Felicitas Mander· Schütz Choir of London
V. Rex tremendae
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· Peter Thorley· Catherine Robbin· John Mark Ainsley· Felicitas Mander
VI. Recordare
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Felicitas Mander· Catherine Robbin· Nancy Argenta· Peter Thorley· John Mark Ainsley
VII. Confutatis
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Felicitas Mander· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Peter Thorley
VIII. Lacrimosa
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Felicitas Mander· Nancy Argenta· Peter Thorley· Catherine Robbin· John Mark Ainsley
IX. Amen
Sir Roger Norrington· London Classical Players· John Mark Ainsley· Catherine Robbin· Schütz Choir of London· Felicitas Mander· Peter Thorley· Nancy Argenta
X. Domine Jesu Christe
London Classical Players· Schütz Choir of London· Nancy Argenta· Sir Roger Norrington· John Mark Ainsley· Alastair Miles· Catherine Robbin· Peter Thorley· Felicitas Mander
XI. Hostias
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· John Mark Ainsley· Nancy Argenta· Catherine Robbin· Felicitas Mander
XII. Sanctus
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Felicitas Mander· John Mark Ainsley· Peter Thorley· Nancy Argenta
XIII. Benedictus
London Classical Players· Catherine Robbin· Nancy Argenta· Sir Roger Norrington· John Mark Ainsley· Schütz Choir of London· Alastair Miles· Felicitas Mander· Peter Thorley
XIV. Agnus Dei
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Felicitas Mander· John Mark Ainsley· Catherine Robbin· Nancy Argenta· Peter Thorley
XV. Communio
Nancy Argenta· London Classical Players· Sir Roger Norrington· Schütz Choir of London· Felicitas Mander· Peter Thorley· John Mark Ainsley· Catherine Robbin
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Sir Roger Norrington· Deborah Voigt· Concert Chorale of New York· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
