IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
Patrick Power· London Classical Players· Schütz Choir of London· Sir Roger Norrington
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
Schütz Choir of London· London Classical Players· Sir Roger Norrington· The Schütz Consort· Coppola E Il Suo Sestetto
I. Introitus
Sir Roger Norrington· Schütz Choir of London· Nancy Argenta· London Classical Players· John Mark Ainsley· Peter Thorley· Catherine Robbin· Felicitas Mander
II. Kyrie
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· Catherine Robbin· Felicitas Mander· Peter Thorley· John Mark Ainsley
III. Dies irae
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Nancy Argenta· John Mark Ainsley· Felicitas Mander· Catherine Robbin
IV. Tuba mirum
Catherine Robbin· Nancy Argenta· John Mark Ainsley· Sir Roger Norrington· Alastair Miles· London Classical Players· Felicitas Mander· Peter Thorley· Schütz Choir of London
V. Rex tremendae
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Catherine Robbin· Peter Thorley· Nancy Argenta· John Mark Ainsley· Felicitas Mander
VI. Recordare
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Catherine Robbin· Nancy Argenta· Peter Thorley· John Mark Ainsley· Felicitas Mander
VII. Confutatis
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· John Mark Ainsley· Catherine Robbin· Felicitas Mander· Nancy Argenta
VIII. Lacrimosa
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Catherine Robbin
IX. Amen
London Classical Players· Sir Roger Norrington· Catherine Robbin· Felicitas Mander· John Mark Ainsley· Peter Thorley· Schütz Choir of London· Nancy Argenta
X. Domine Jesu Christe
Catherine Robbin· John Mark Ainsley· Sir Roger Norrington· Schütz Choir of London· Alastair Miles· London Classical Players· Nancy Argenta· Peter Thorley· Felicitas Mander
XI. Hostias
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Felicitas Mander· Peter Thorley
XII. Sanctus
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Peter Thorley· Catherine Robbin
XIII. Benedictus
Alastair Miles· London Classical Players· Catherine Robbin· Nancy Argenta· Schütz Choir of London· Sir Roger Norrington· John Mark Ainsley· Felicitas Mander· Peter Thorley
XIV. Agnus Dei
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· Nancy Argenta· Peter Thorley· Felicitas Mander· John Mark Ainsley
XV. Communio
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· Catherine Robbin· Felicitas Mander· Peter Thorley· John Mark Ainsley
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Deborah Voigt· Concert Chorale of New York· Sir Roger Norrington· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
