IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
London Classical Players· Sir Roger Norrington· Patrick Power· Schütz Choir of London
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
Sir Roger Norrington· Schütz Choir of London· London Classical Players· The Schütz Consort· Coppola E Il Suo Sestetto
I. Introitus
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· Catherine Robbin· John Mark Ainsley· Felicitas Mander· Peter Thorley
II. Kyrie
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Peter Thorley
III. Dies irae
Sir Roger Norrington· London Classical Players· Schütz Choir of London· John Mark Ainsley· Nancy Argenta· Catherine Robbin· Felicitas Mander· Peter Thorley
IV. Tuba mirum
Catherine Robbin· London Classical Players· Sir Roger Norrington· John Mark Ainsley· Nancy Argenta· Alastair Miles· Peter Thorley· Schütz Choir of London· Felicitas Mander
V. Rex tremendae
Sir Roger Norrington· London Classical Players· Schütz Choir of London· John Mark Ainsley· Catherine Robbin· Felicitas Mander· Nancy Argenta· Peter Thorley
VI. Recordare
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Catherine Robbin
VII. Confutatis
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Peter Thorley· John Mark Ainsley· Felicitas Mander· Nancy Argenta· Catherine Robbin
VIII. Lacrimosa
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Peter Thorley· Felicitas Mander· Nancy Argenta· John Mark Ainsley
IX. Amen
Sir Roger Norrington· London Classical Players· Peter Thorley· John Mark Ainsley· Schütz Choir of London· Nancy Argenta· Catherine Robbin· Felicitas Mander
X. Domine Jesu Christe
Alastair Miles· Schütz Choir of London· Nancy Argenta· Sir Roger Norrington· John Mark Ainsley· London Classical Players· Catherine Robbin· Peter Thorley· Felicitas Mander
XI. Hostias
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· John Mark Ainsley· Catherine Robbin· Peter Thorley· Felicitas Mander
XII. Sanctus
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Catherine Robbin· Nancy Argenta· Felicitas Mander· Peter Thorley· John Mark Ainsley
XIII. Benedictus
Catherine Robbin· Sir Roger Norrington· London Classical Players· Nancy Argenta· Alastair Miles· John Mark Ainsley· Schütz Choir of London· Peter Thorley· Felicitas Mander
XIV. Agnus Dei
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Nancy Argenta· Catherine Robbin· John Mark Ainsley· Peter Thorley· Felicitas Mander
XV. Communio
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Nancy Argenta· Peter Thorley· Felicitas Mander· Catherine Robbin· John Mark Ainsley
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Deborah Voigt· Orchestra of St. Luke's· Sir Roger Norrington· Concert Chorale of New York
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
