Coding Music

Two Flows Become One

Theme (From "Schindler's List") [Arr. for Piano by John Williams]

No. 1, Lent et douloureux

I. Adagio sostenuto

Cinematic

La Valse d'Amélie (From "Amélie")

I. Modéré et calme

II. Air "Air on the G String" (Arr. for Viola, Strings and Harpsichord by Sergey Bryukhno)

I. Allegro non molto (Arr. for 2 Violins and Piano by Christina Grigoryants)

Hope

I. Morning Mood (Version for Piano 4 Hands)

No. 14, Vocalise (Arr. for Cello and Piano by Anatoliy Brandukov)

Sonnet in C Major

No. 2 in E-Flat Major

Romance in E-Flat Major for Piano and Viola

Book I, BWV 846-869: Prelude and Fugue in C major, BWV 846: I. Praeludium

X. Chorale. Jesu, Joy of Man's Desiring (Arr. for Piano by Myra Hess)

II. Largo

XIII. The Swan (Version for Violin and Piano)

Passing Through the Memories

No. 10, Largo (Arr. for Cello and Piano by Anatoliy Brandukov)

When the Stars Are Shining

No. 2, Intermezzo in A Major

The New Life

Minuet in A Мajor, D. 334

Untitled Yet

Pavane, Op. 50 (Arr. for Piano by Chris Sennett)

I. Canon

II. Adagio

Meditation (Arr. for Violin and Piano by Martin Pierre Marsick)

Nocturne No. 20 in C-Sharp Minor, Op. Posth.

No. 7, Ständchen

Siciliano (Second movement from Flute Sonata in E-Flat Major, BWV 1031) [Arr. for 2 Violins and Piano by Christina Grigoryants]

Spiegel im Spiegel (Version for Cello and Piano)

Sì dolce è'l tormento, SV 332 (Transcr. for Piano by Vyacheslav Gryaznov)

Prelude B Minor, BWV 855a (Transcr. by Alexander Siloti)

No. 7, Träumerei

Sonata No. 2 in A minor, BWV 1003: III. Andante (Transcr. for Piano by Alexander Siloti)

Main Theme (From "Dismissal Time")

Sonnet in E-Flat Major

Melody in A Minor (From "The High Pass")

Dawn