Conrad Steinmann
Early Music Masterpieces
Verschiedene Interpret:innen
Alleluia, Ha-Houwadha-lAruç… (Byzatine Chant) [Arabic Language]
Alleluia, Ha-Houwadha-lAruç… (Byzatine Chant) [Arabic Language]
Chorale de l'Église Saint-Julien-le-Pauvre, Soeur Marie Keyrouz
Anonym
Ya walidata-l-ilah (Melchite Sacred Chant)
Soeur Marie Keyrouz, Ensemble de la Paix, The Medieval Music Players
Agnus Dei, Omnipotens eterne (Mass from the Year 1000)
[anonymous]
Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca. 1150)
F. de Marselha: Sitot me soi
Sitot me soi (The Art of the Troubadours, Southern France, 11th & 12th c.)
René Clemensic, Clemensic Consort
Hyer matin a l’enjornee (The Art of the Trouvères, Northern France, 12th & 13th c.)
Owê dirre nôt (Minnesänger, Holy Roman Empire, 13th c.)
The Newberry Consort, Mary Springfels, The Medieval Music Players
Pérotin
Viderunt omnes, Notum fecit Dominus (The Notre-Dame School, 12th c.)
Longum (Hocket from the Bamberg Manuscript, 13th c.)
Anonym
Dame que je n’os noumer (Motet from the Montpellier Codex, 13th c.)
Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.)
Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.)
Ruth Cunningham, Susan Hellauer, Marsha Genensky, Johanna Rose
Mater ora filium (Sacred Music in 14th-c. England)
Echo la primavera (Italian Ars Nova)
P. de Caserta
Dunstable
Salve scema sanctitatis, Salve salus servulorum, Cantant celi agmina (15th c. England)
O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)
Monteverdi: Messa a quatro voci da capella
Tallis’ Canon, Eighth Tune for Archbishop Parker’s Psalter (Age of the Reformation)
Marenzio