IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
London Classical Players· Sir Roger Norrington· Patrick Power· Schütz Choir of London
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
London Classical Players· Sir Roger Norrington· Schütz Choir of London· The Schütz Consort· Coppola E Il Suo Sestetto
I. Introitus
London Classical Players· Sir Roger Norrington· Nancy Argenta· Schütz Choir of London· Catherine Robbin· John Mark Ainsley· Felicitas Mander· Peter Thorley
II. Kyrie
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Peter Thorley· John Mark Ainsley· Nancy Argenta· Catherine Robbin· Felicitas Mander
III. Dies irae
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Catherine Robbin· John Mark Ainsley· Nancy Argenta· Peter Thorley· Felicitas Mander
IV. Tuba mirum
Sir Roger Norrington· London Classical Players· Catherine Robbin· Nancy Argenta· Alastair Miles· John Mark Ainsley· Schütz Choir of London· Peter Thorley· Felicitas Mander
V. Rex tremendae
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Peter Thorley· John Mark Ainsley· Felicitas Mander· Nancy Argenta· Catherine Robbin
VI. Recordare
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Peter Thorley· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Catherine Robbin
VII. Confutatis
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Felicitas Mander· Nancy Argenta· Peter Thorley· John Mark Ainsley
VIII. Lacrimosa
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Nancy Argenta· Peter Thorley· Catherine Robbin· John Mark Ainsley· Felicitas Mander
IX. Amen
Sir Roger Norrington· London Classical Players· Nancy Argenta· Felicitas Mander· Catherine Robbin· John Mark Ainsley· Schütz Choir of London· Peter Thorley
X. Domine Jesu Christe
Sir Roger Norrington· London Classical Players· Nancy Argenta· Alastair Miles· Catherine Robbin· Schütz Choir of London· John Mark Ainsley· Felicitas Mander· Peter Thorley
XI. Hostias
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Felicitas Mander· Peter Thorley· Catherine Robbin· John Mark Ainsley· Nancy Argenta
XII. Sanctus
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Felicitas Mander· Peter Thorley
XIII. Benedictus
Catherine Robbin· Nancy Argenta· London Classical Players· Schütz Choir of London· Alastair Miles· Sir Roger Norrington· John Mark Ainsley· Peter Thorley· Felicitas Mander
XIV. Agnus Dei
Sir Roger Norrington· Schütz Choir of London· London Classical Players· John Mark Ainsley· Felicitas Mander· Peter Thorley· Catherine Robbin· Nancy Argenta
XV. Communio
Nancy Argenta· Sir Roger Norrington· Schütz Choir of London· London Classical Players· Peter Thorley· Catherine Robbin· John Mark Ainsley· Felicitas Mander
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Concert Chorale of New York· Sir Roger Norrington· Deborah Voigt· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 102 in B-Flat Major, Hob. I:102
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
