Frank Merrick: A Recorded Legacy

Diferencias sobre el canto del Caballero

Prelude and Fugue in F, BWV 880

Sonata in C Sharp Minor, R. 21

Fantasie in C Minor, K. 475

Cavatina in E 'Reviens, reviends' H. 53

Nocturne in A Major, H. 14

Nocturne in C Minor, H. 25

II. Rondo, H. 8

Berceuse in D Flat, Op. 57

Canzonetta toscana all'antica, Op. 39, No. 3

Valse mignonne

Jardins sous la pluie L. 100

No. 5, Les collines d'Anacapri L. 117

No. 7 La terrasse des audiences du clair de lune L. 123

No. 1 Los Requiebros

Andante Favori, WoO. 57

I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

Adagio in E Major, D. 612

Impromptu, D. 935, No. 1

I. Moderato

III. Scherzo. Allegro vivace - Trio Un poco piu lento

Rhapsodie in B Minor, Op. 79, No. 1

Bk. 2, No. 1, Allegretto con grazia

Bk. 1, No. 3, Andante sostenuto

Bk. 3, No. 4, Romanze. Andante sostenuto

Variations and Fugue on a theme of J.S. Bach, Op. 81

Introduction, Passacaglia and Fugue for 2 pianos, Op. 96

Piano Sonata, No. 1 in F Sharp Minor, GP 127

Piano Sonata, No. 2 in G Major, GP 225

I. Allegro moderato

III. Allegro

An Irish tone-poem for 2 pianos

I. Allegro giusto

II. Allegretto quasi andante

A Hill Tune, GP 232

Burlesque, GP 229

Lullaby, GP 224

Paean (Passaaglia), GP 294

Variations on 'Black Eyed Susan'

Preludes No. 1, The Undertone

I. Lento

III. Allegro quasi presto

Nos. 3, 4, 6, 7 & 8

Variations on a Somerset Folk Song

Hares on the Mountains

Seascape

I. Scherzo