O. Belli: Naïás
VI. Epílogo (Transcr. Feuillâtre for Guitar)
No. 2 in E Major. Un poco più mosso
II. Serenade. Evening in Spring. Andantino
Nocturne
Glossa sobre
No. 1, Prelude (Arr. Atovmyan for 2 Cellos & Piano)
No. 1, Lent et douloureux (Version for Solo Harp by Louise Spencer)
No. 1, La Sérénade
Lorenzo Trombetta: Absence
Absence
I. Von fremden Ländern und Menschen
A New Ground in E Minor, ZT 682
Te Voglio Bene Assaje (Canzone Napoletana, Attribuita a Gaetano Donizetti)
Te Voglio Bene Assaje (Canzone Napoletana, Attribuita a Gaetano Donizetti)
No. 21 in B-Flat Major. Andante
Constantino De Crescenzo: Pezzi, Op. 120
I. Prima Carezza (Arr. for Guitar by Guillem Pérez-Quer)
Kaner-Lidström: The Swan
VIII. La fille aux cheveux de lin (Arr. for Harp by Oksana Sidyagina)
Seal Lullaby (Arr. for Harp by Reyer Zwart)
R. Wagner: A Nibelung Suite from R. Wagner's Ring Cycle (Arr. for Piano by Ettore Prandi)
VI. Idyll. A Lyrical Piece (Excerpt)
I. Clair de lune sur l’étang du par
Arnalds
for Steph
No. 6, Lo fill del rei
Beauty (From "Blind Message") [Performed on Piano]
W. Croft: Ground
Ground (Arr. Watkins for Harp)
Auf Flügeln des Gesanges (After Felix Mendelssohn Bartholdy)
Ave Maria, CG 89 (Meditation on J.S. Bach's "Prelude in C Major, BWV 846") [Arr. for Clarinet and Cello by Martin Fröst]
Litanei auf das Fest Aller Seelen, D. 343 (Arr. for Solo Cello and String Quartet by R. Nazé and E. Bertrand)
Satie: Mélodie
I. Largo
No. 15 in A-Flat Major
II. Adagio Ma Non Troppo
Aria da capo (Live at Carnegie Hall, New York, 2025)
No. 3 in E Major "Tristesse" (Arr. in F Major for Cello and Piano by C. Thomas)
Haug: Alba
S. Okpebholo: Wondrous Free
Wondrous Free
Ananyev
Daylight
No. 3 in D-Flat Major. Lento placido (Live)
VIII. La fille aux cheveux de lin (Transcr. Ottensamer for Clarinet and Piano)
Son Nu
Peace Is A Friend
Movement, Before All Flowers (Edit)
Aria (Live at Carnegie Hall, New York, 2025)
Adoration (Arr. for String Quartet by Samuel Araya)
Keyboard Sonata in B Minor, Kk. 87
Minuet in G Minor, HWV 434/4 (Arr. for Harp & Piano by Jan-Peter Klöpfel)
Martin Stadtfeld: Funeral March Meditation
Funeral March Meditation (After Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre)
Nacht und Träume, D. 827 (Transcr. for Cello by Pablo Ferrández)
Mikhaila Smith: New York City
New York City
Sicilienne (Prev. Attrib. Paradis) [Arr. Pochin & Morgan for Violin, Guitar, Accordion & Cello]
A Sense Of Place
Variation 12 after Brahms, Op. 35 [Book 1, No. 12]. Andante con moto
Flight (Arr. for Saxophone and Organ by Anna Lapwood and Jess Gillam) [feat. Jess Gillam]
Y. Chen: Yellow Shore
Yellow Shore (Piano Version / Classical Sessions)
No. 3, Lent (Transcr. for Guitar by Francis Kleynjans)
Nocturne No. 2 in E-Flat Major, Op. 9 No. 2
Prelude in F Minor, BWV 881 (Transcribed for Harp by Lavinia Meijer)
I. 27 January 1756...To the Birthday of W. A. M.
No. 7, How Fair This Spot (Transcr. Volodos for Piano)
O Virtus Sapientiae
VI. June. Barcarolle. Andante cantabile
Sing Gently (Arr. for Harp by Reyer Zwart)
Poverty (From "Once Upon a Time in America", Sergio Leone 1984) [Arr. for Lute by Simone Vallerotonda]
Pre Rain
No. 1, Sängers Trost (Arr. Isserlis for Cello & Piano)
No. 2, Lento
Du bist die Ruh, Op. 59 No. 3, D. 776 (Arr. Moreau for Piano Trio)
Lisa Lân
Lisa Lân (Arr. Huws for Harp)
Ritual
II. Adagio ma non troppo
G. Gershwin: Porgy and Bess, a Symphonic Picture (Arr. for Orchestra by Robert Russell Bennett)
VII. Bess, You Is My Woman Now
Aria (Arr. for Clarinet and Bass by Martin Fröst and Sebastien Dubé)
saman (Arr. Lawson for Saxophone & Ensemble)
Ave Maria (Arr. for Cello and Guitar by Hee-Young Lim & Chuan Chen)
P. Glass: Suite from "The Hours" (Arr. for Piano, Strings, Harp and Celesta by Michael Riesman)
Môr Arianrhod