I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Highgate School Boys Choir, Leonard Bernstein, Collegiate Chorale, Israel Philharmonic Orchestra, London Symphony Orchestra
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, New York Philharmonic, Collegiate Chorale, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration
III. Comodo. Scherzando
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Women's Chorus of The Schola Cantorum
IV. Sehr langsam; Misterioso
Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, New York Philharmonic, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
New York Philharmonic, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus, Highgate School Boys Choir, London Symphony Orchestra, Leonard Bernstein, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Finchley Children's Music Group, Leonard Bernstein, Highgate School Boys Choir, Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus, London Symphony Orchestra
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen