I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Highgate School Boys Choir, Leonard Bernstein, London Symphony Orchestra, Israel Philharmonic Orchestra, Collegiate Chorale
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Collegiate Chorale, Leonard Bernstein, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Leonard Bernstein
III. Comodo. Scherzando
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Leonard Bernstein
IV. Sehr langsam; Misterioso
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Leonard Bernstein, New York Philharmonic, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Highgate School Boys Choir, London Symphony Orchestra, Leeds Festival Chorus, Leonard Bernstein, Orpington Junior Singers, London Symphony Chorus, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leonard Bernstein, Finchley Children's Music Group, Highgate School Boys Choir, London Symphony Chorus, Leeds Festival Chorus, Orpington Junior Singers, London Symphony Orchestra
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen