I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Boys' Choir of The Church of The Transfiguration, Israel Philharmonic Orchestra, Collegiate Chorale, Leonard Bernstein, Highgate School Boys Choir, London Symphony Orchestra, New York Philharmonic
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, New York Philharmonic, Collegiate Chorale, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein
III. Comodo. Scherzando
Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic
IV. Sehr langsam; Misterioso
New York Philharmonic, Women's Chorus of The Schola Cantorum, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, New York Philharmonic, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Highgate School Boys Choir, London Symphony Chorus, Leeds Festival Chorus, Leonard Bernstein, London Symphony Orchestra, Orpington Junior Singers, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Finchley Children's Music Group, Highgate School Boys Choir, Leonard Bernstein, London Symphony Chorus, Leeds Festival Chorus, London Symphony Orchestra, Orpington Junior Singers
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen