I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Collegiate Chorale, Leonard Bernstein, Israel Philharmonic Orchestra, New York Philharmonic, London Symphony Orchestra, Highgate School Boys Choir, Boys' Choir of The Church of The Transfiguration
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, Collegiate Chorale, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein
III. Comodo. Scherzando
Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic
IV. Sehr langsam; Misterioso
Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Women's Chorus of The Schola Cantorum, New York Philharmonic, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Leonard Bernstein, Highgate School Boys Choir, London Symphony Chorus, Leeds Festival Chorus, Orpington Junior Singers, London Symphony Orchestra, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leonard Bernstein, London Symphony Orchestra, Finchley Children's Music Group, Orpington Junior Singers, London Symphony Chorus, Highgate School Boys Choir, Leeds Festival Chorus
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen