I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Leonard Bernstein, Collegiate Chorale, Israel Philharmonic Orchestra, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Highgate School Boys Choir, London Symphony Orchestra
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
New York Philharmonic, Leonard Bernstein, Collegiate Chorale, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration
III. Comodo. Scherzando
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, New York Philharmonic
IV. Sehr langsam; Misterioso
New York Philharmonic, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Highgate School Boys Choir, Leonard Bernstein, Leeds Festival Chorus, London Symphony Orchestra, London Symphony Chorus, Orpington Junior Singers, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Highgate School Boys Choir, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Leeds Festival Chorus, Finchley Children's Music Group, Orpington Junior Singers
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen