I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Collegiate Chorale, Israel Philharmonic Orchestra, Leonard Bernstein, Highgate School Boys Choir, London Symphony Orchestra, New York Philharmonic, Boys' Choir of The Church of The Transfiguration
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, Collegiate Chorale, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration
III. Comodo. Scherzando
New York Philharmonic, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum
IV. Sehr langsam; Misterioso
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, New York Philharmonic, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Leeds Festival Chorus, London Symphony Orchestra, London Symphony Chorus, Highgate School Boys Choir, Leonard Bernstein, Orpington Junior Singers, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
London Symphony Chorus, Highgate School Boys Choir, Finchley Children's Music Group, Orpington Junior Singers, Leeds Festival Chorus, London Symphony Orchestra, Leonard Bernstein
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen